In short, we need dance. We need dance to reach young people. Otherwise what will we be left with? Dance and the arts cannot be allowed to fade into the background. It is simply not in its nature; it needs the spotlight.Read more
by Lucie Le May As a newly graduated dancer, the ultimate goal is to find a contract as quickly asRead more
From the start, it’s clear that Waltz aims to highlight distinctions amongst the all-female ensemble, particularly in their movement qualities. In the many moments of unison ensemble work each dancer submits their own distinctive translation of the choreography; conveying the idea “woman” with her own arms, hands, head, feet, gaze, and so on.Read more
Dancing Femmes is a series that wishes to explore the views of performing artists that happen to be born in a female body. Dancing Femmes focuses on how being female can affect your career.
Dancing Femmes portrays a spectrum of women´s experiences , from the newest to the veterans. Getting to know their work, their ideas, their aspirations, their struggles, their emotions… as a woman.
May 18th-21st The Sophiensaele in Berlin hosted “The Every Body Festival” focused on dance artists whose work challenges the conventional notion of the dancing body and what it can be. Jen Rosenblit, an American choreographer based in New York and Berlin, was one of the artists invited to present work in the festival.
“What if there is no future, what if we swivel on the same spot, mistaking it for change?”
… why is it that professional dancers continue to face sexual predation by superiors? What within dance culture condones, or even reinforces, such a practice?Read more
I was strolling on facebook a couple of weeks ago when I saw Tom’s post promoting the event he was organizing: Ballet United Gala. The poster described it as a «unique evening of ballet performed by young dancers» showcasing pieces from well-known choreographers such as Benjamin Millepied, but also some pas de deux from the classical repertoire. The performance would take place in Cadogan Hall, London, the 19th of July.Read more
We’ve all been there, those times when you’ve finished an awesome dance contract; you’re enjoying the rest and looking forward to jumping right back into the next one. Except the next one is taking a bit longer to come along than you would like. With each negative audition outcome comes a reassuring voice in our head, ‘too tall’, ‘not the right build’, ‘they wanted more classical dancers’ etc.Read more
If anyone can attest to the throws of bureaucracy in Europe, it is she. Holding a New Zealand passport proved fruitful for Tessa’s arrival in Europe eight years ago, but has since been the bane of her artistic career as a contemporary dance theater artist. She has been through just about every legal scenario to stay in Brussels and pursue her art – only once escaping deportation by a mere 20 days.Read more
A list of some amazing contemporary dance programs happening this year, some new, some re-occurring and all happening in different parts of the world!Read more
What happiness is cannot be condensed in one sole answer, mainly because there isn’t a universal way to it but there are infinite. Renowned choreographer Didy Veldman presents ‘The Happiness Project’ as the cover letter to introduce her own new company Umanoove.Read more
Corrections, as dancers you need to deal a lot with them. Constructive criticism or a straight comment, helpful or confusing you, somehow you need to find your way of incorporating the given correction into your dancing. Understanding how to process the information in the right way may depend on the manner someone corrects you.Read more
Being a foreign freelance artist is difficult in Europe. As a dance artist, I want to base myself in Brussels. More than Berlin and London, this is where I feel most accepted, most inspired, most intrigued, most challenged, most supported. And for what?–– For my art, my research and practice.
I have spent the last three months expending countless hours of energy trying to navigate the Belgian bureaucratic system…
Being (il)legal is a multi-part series where I look at the different lengths artists are willing to go in order to pursue their art. The main focus is on non-Europeans in Europe and why Europe is such a “mecca” for the Western (and sometimes Eastern) art world.
From stories about bouncing around from country to country or staying put and hiding from the authorities, this is Being (il)legal.
As dancers we are constantly judging ourselves: spending hours day after day in tight-fitting clothing in front of a mirror and scrutinising how we look. Dancers are expected to have slim and toned bodies. It is seen as particularly important for females to be of a slight stature for the ease of pas de deux and partnering work. But what is the impact?Read more
This past March, dance communities from different latitudes came together in humble sorrow when two remarkable dancers passed away. Their death was surprisingly synchronized as if they were choreographed. Trisha Brown, who was born in 1936, died on March 17th in Washington, U.S.A., and Sonia Sanoja, born in 1932, died on March 26th in Caracas, Venezuela.Read more
As part of “An Artistic Identity Swap” between Les Brigittines and beursschouwburg, Meytal Blanaru performed her deeply researched solo, Aurora, on April 20, 2017, which had originally premiered in 2014.Read more
German Jauregui Allue is a man who does not know what he would have done with his life if it wasn’t art. He was born in Bilbao, in autumn. In the late nineties he moved to Brussels to start his career as a member of ‘Ultima Vez’,…Read more
Mockumentary deals with death, love, limbo, sex, and ritual – often calling on the audience to question their own purpose within the work as well as the world. It continually questions the idea of God, taking the viewer on a journey of revelations.Read more
To give you an idea or our traffic and the auditions that were viewed the most, we have listed the 10 most popular auditions of 2016, from 1st April to 31st December.Read more