Conflating ideas on sexuality and dance is an important, albeit conflicting, issue for any female/professional dancer nowadays; especially in today’s social and political climate and, amidst a profession spent glorifying and often essentialising the human body. As a female and as a dancer, the ever-present reality of displaying sexuality is a constant phenomenon, either in the direction or expectations of others, or the image we believe we are expected to portray.Read more
Being a foreign freelance artist is difficult in Europe. As a dance artist, I want to base myself in Brussels. More than Berlin and London, this is where I feel most accepted, most inspired, most intrigued, most challenged, most supported. And for what?–– For my art, my research and practice.
I have spent the last three months expending countless hours of energy trying to navigate the Belgian bureaucratic system…
Being (il)legal is a multi-part series where I look at the different lengths artists are willing to go in order to pursue their art. The main focus is on non-Europeans in Europe and why Europe is such a “mecca” for the Western (and sometimes Eastern) art world.
From stories about bouncing around from country to country or staying put and hiding from the authorities, this is Being (il)legal.