◖𝗙𝚊𝚕𝚕𝚒𝚗𝚐𝗨𝚙𝗗𝚘𝚠𝚗đ—Ļ𝚝𝚊𝚒𝚛𝚜◗ Axis Syllabus intensive with final performance

𝘞đ˜Ēđ˜ĩ𝘩đ˜Ēđ˜¯ đ˜ĩ𝘩đ˜Ļ 𝘝𝘐 đ˜Ļđ˜Ĩđ˜Ēđ˜ĩđ˜Ēđ˜°đ˜¯ 𝘰𝘧 𝘚𝘤đ˜Ēđ˜Ļ 𝘧đ˜Ļ𝘴đ˜ĩđ˜Ē𝘷đ˜ĸ𝘭, 𝘸đ˜Ļ 𝘤đ˜ļđ˜ŗđ˜ĸđ˜ĩđ˜Ļ đ˜ĸ 𝘱đ˜Ļđ˜ŗ𝘧𝘰đ˜ŗ𝘮đ˜ĸđ˜ĩđ˜Ē𝘷đ˜Ļ 𝘭đ˜ĸđ˜Ŗ𝘰đ˜ŗđ˜ĸđ˜ĩ𝘰đ˜ŗđ˜ē đ˜Ŗđ˜ĸ𝘴đ˜Ļđ˜Ĩ đ˜°đ˜¯ đ˜ĩ𝘩đ˜Ļ 𝘈𝘹đ˜Ē𝘴 𝘚đ˜ē𝘭𝘭đ˜ĸđ˜Ŗđ˜ļ𝘴 đ˜ĸđ˜¯đ˜Ĩ đ˜ĩ𝘩đ˜Ļ đ˜ŗđ˜Ļ𝘴đ˜Ļđ˜ĸđ˜ŗ𝘤𝘩 𝘰𝘧 𝘔đ˜ēđ˜Ļ𝘭đ˜Ēđ˜¯đ˜Ļ đ˜Ąđ˜°đ˜¯đ˜Ļ. đ˜đ˜¯ đ˜ĩ𝘩đ˜Ļ đ˜¤đ˜°đ˜¯đ˜ĩđ˜Ļ𝘹đ˜ĩ 𝘰𝘧 đ˜ĩ𝘩đ˜Ē𝘴 đ˜Ļđ˜Ĩđ˜Ēđ˜ĩđ˜Ēđ˜°đ˜¯, đ˜ĩ𝘩đ˜Ļ 𝘭đ˜ĸđ˜Ŗ𝘰đ˜ŗđ˜ĸđ˜ĩ𝘰đ˜ŗđ˜ē 𝘸đ˜Ļđ˜ĸ𝘷đ˜Ļ𝘴 đ˜ĩ𝘩đ˜Ļ đ˜Ļđ˜¯đ˜¤đ˜°đ˜ļđ˜¯đ˜ĩđ˜Ļđ˜ŗ 𝘸đ˜Ēđ˜ĩ𝘩 𝘰đ˜ĩ𝘩đ˜Ļđ˜ŗđ˜¯đ˜Ļ𝘴𝘴 đ˜Ēđ˜¯ đ˜ĸ đ˜Ĩđ˜ēđ˜¯đ˜ĸ𝘮đ˜Ē𝘤 𝘰𝘧 đ˜Ļ𝘹𝘱𝘰𝘴đ˜Ļđ˜Ĩ 𝘱đ˜ŗ𝘰𝘹đ˜Ē𝘮đ˜Ēđ˜ĩđ˜ē đ˜ĸđ˜¯đ˜Ĩ đ˜ĸđ˜Ŗđ˜ļđ˜¯đ˜Ĩđ˜ĸđ˜¯đ˜¤đ˜Ļ đ˜Ēđ˜¯ đ˜ĸđ˜¯ đ˜ĸđ˜ŗđ˜ĩđ˜Ē𝘴đ˜ĩđ˜Ē𝘤 đ˜ĸđ˜¯đ˜Ĩ 𝘷đ˜Ē𝘴đ˜ļđ˜ĸ𝘭 𝘧𝘰đ˜ŗ𝘮 đ˜ĩ𝘩đ˜ĸđ˜ĩ đ˜ĩđ˜ŗđ˜ĸđ˜¯đ˜´đ˜§đ˜°đ˜ŗ𝘮𝘴 đ˜Ŗ𝘰đ˜Ĩđ˜Ēđ˜Ļ𝘴 đ˜ĸđ˜¯đ˜Ĩ đ˜ĩ𝘩đ˜Ļđ˜Ēđ˜ŗ đ˜ŗđ˜Ļ𝘭đ˜ĸđ˜ĩđ˜Ēđ˜°đ˜¯đ˜´đ˜Šđ˜Ē𝘱𝘴 đ˜Ēđ˜¯đ˜ĩ𝘰 𝘭đ˜Ē𝘷đ˜Ēđ˜¯đ˜¨ đ˜ĸđ˜¯đ˜Ĩ 𝘤𝘩đ˜ĸđ˜¯đ˜¨đ˜Ēđ˜¯đ˜¨ 𝘮đ˜ĸđ˜ĩđ˜ĩđ˜Ļđ˜ŗ. 𝘞𝘩đ˜ĸđ˜ĩ đ˜Ĩđ˜Ē𝘴đ˜ĩđ˜Ēđ˜¯đ˜¨đ˜ļđ˜Ē𝘴𝘩đ˜Ļ𝘴 𝘮đ˜Ļ 𝘧đ˜ŗ𝘰𝘮 đ˜ĩ𝘩đ˜Ļ 𝘰đ˜ĩ𝘩đ˜Ļđ˜ŗ, đ˜°đ˜¯đ˜Ļ đ˜Ŗ𝘰đ˜Ĩđ˜ē đ˜ĸđ˜¯đ˜Ĩ đ˜ĸđ˜¯đ˜°đ˜ĩ𝘩đ˜Ļđ˜ŗ? 𝘸𝘩đ˜ĸđ˜ĩ 𝘮đ˜ĸđ˜Ŧđ˜Ļ𝘴 đ˜ĸ đ˜Ŗ𝘰đ˜Ĩđ˜ē đ˜ĸ đ˜Ŗđ˜Ļđ˜Ēđ˜¯đ˜¨ 𝘰đ˜ĩ𝘩đ˜Ļđ˜ŗ đ˜ĩ𝘩đ˜ĸđ˜¯ 𝘧𝘭𝘰𝘸đ˜Ēđ˜¯đ˜¨ 𝘭đ˜ĸ𝘷đ˜ĸ?
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An Axis Syllabus intensive week with final performance.
đ—Ēđ—ļ𝘁đ—ĩ: 𝗝𝗲đ—ŋđ—ŧđ—ē𝗲 𝗱’đ—ĸđ—ŋ𝘀đ—ŧ, 𝗙đ—ŋ𝗮đ—ģ𝗰𝗲𝘀𝗰𝗮 đ—Ŗ𝗲𝗱𝘂𝗹𝗹𝗮Ė€, 𝗡𝘂𝘃đ—ŧ𝗹𝗮 𝗩𝗮đ—ģ𝗱đ—ļđ—ģđ—ļ.
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FallingUpDownStairs is 𝗮đ—ģ đ—ļđ—ģ𝘁𝗲đ—ģ𝘀đ—ļ𝘃𝗲 𝘄𝗲𝗲𝗸 đ—ŧđ—ŗ 𝘀𝘁𝘂𝗱𝘆 𝗮đ—ģ𝗱 đ—Ŋ𝗲đ—ŋđ—ŗđ—ŧđ—ŋđ—ē𝗮𝘁đ—ļ𝘃𝗲 đ—ŋ𝗲𝘀𝗲𝗮đ—ŋ𝗰đ—ĩ 𝘁đ—ĩđ—ŋđ—ŧ𝘂𝗴đ—ĩ 𝘁đ—ĩ𝗲 𝗔𝘅đ—ļ𝘀 đ—Ļđ˜†đ—šđ—šđ—Žđ—¯đ˜‚đ˜€ 𝗮đ—ŋ𝗰đ—ĩđ—ļ𝘃𝗲 𝘄đ—ļ𝘁đ—ĩ 𝘁đ—ĩ𝗲 𝗮đ—ļđ—ē đ—ŧđ—ŗ 𝘀𝘁𝗮𝗴đ—ļđ—ģ𝗴 𝗜đ—ēđ—Ŋ𝗹đ—ļ𝗲𝗱 𝗟đ—ļđ—ģ𝗲. Performative research developed by the Myelin Zone collective, Implied Line sees a group of people climb, descend, roll, fall from a large staircase. The apparently trivial action speaks of the relationship / transformation; bodies before an encounter and bodies during an encounter. Identity and otherness refer to
each other while a new body is born, the result of adaptation.
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Where: OfficinAcrobatica, Bologna, Italy

When: 2-6 October 2023
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𝗧đ—ĩ𝗲 𝘄𝗲𝗲𝗸 đ—ļ𝘀 𝗱đ—ļ𝘃đ—ļ𝗱𝗲𝗱 đ—ļđ—ģ𝘁đ—ŧ 𝘁đ—ĩđ—ŋ𝗲𝗲 đ—Ŋđ—ĩ𝗮𝘀𝗲𝘀:
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𝟭- 𝗧đ—ŋ𝗮đ—ļđ—ģđ—ļđ—ģ𝗴 | 𝟭đŸŦ.đŸŦđŸŦ – đŸ­đŸ¯.đŸŦđŸŦ
The training, designed to be functional to the creative laboratory in the afternoon, will deepen some tools of the Axis Syllabus which are the starting point of the Implied Line research. Francesca, Nuvola and Jerome will take turns analyzing and practicing: consequentiality of movement, relationship with gravity, with falling, adaptation to context, exchange of weight between bodies, relationships in dynamic architectures.
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𝟮- đ—Ÿđ—Žđ—¯đ—ŧđ—ŋ𝗮𝘁đ—ŧđ—ŋ𝘆 – 𝟭𝟰.đŸŦđŸŦ/𝟭đŸŗ.đŸŦđŸŦ
A reflection on plurality
Going slowly up and downstairs. Walking or rolling, adapt to the presence of other bodies on the way. Unforeseen a priori, the choreographic action reveals the reasoning of the body through slowness, repetition, adaptation and subtle changes of physical states. 𝙃𝙤đ™Ŧ 𝙘𝙖đ™Ŗ 𝙖 𝙗𝙤𝙙𝙮 𝙘𝙤𝙡𝙡𝙖𝙗𝙤𝙧𝙖𝙩𝙚 đ™Ŧ𝙞𝙩𝙝 𝙤𝙩𝙝𝙚𝙧 𝙗𝙤𝙙𝙞𝙚𝙨 𝙚đ™Ģ𝙚đ™Ŗ 𝙞𝙛 𝙩𝙝𝙚𝙮 𝙨𝙚𝙚đ™ĸ 𝙝𝙤𝙨𝙩𝙞𝙡𝙚? 𝙃𝙤đ™Ŧ 𝙘𝙖đ™Ŗ 𝙞𝙩 𝙧𝙚𝙘𝙤𝙜đ™Ŗđ™žđ™¯đ™š 𝙩𝙝𝙚𝙞𝙧 𝙞𝙙𝙚đ™Ŗ𝙩𝙞𝙩𝙞𝙚𝙨, đ™Ĩ𝙤𝙩𝙚đ™Ŗ𝙩𝙞𝙖𝙡𝙨 𝙖đ™Ŗ𝙙 𝙡𝙞đ™ĸ𝙞𝙩𝙨? 𝙃𝙤đ™Ŧ 𝙙𝙤𝙚𝙨 𝙞𝙩 𝙠𝙚𝙚đ™Ĩ 𝙖 𝙛𝙡đ™Ē𝙞𝙙 đ™Ĩ𝙚𝙧𝙘𝙚đ™Ĩ𝙩𝙞𝙤đ™Ŗ 𝙤𝙛 𝙩𝙝𝙚 𝙗𝙤𝙧𝙙𝙚𝙧 𝙗𝙚𝙩đ™Ŧ𝙚𝙚đ™Ŗ đ™Ŧ𝙝𝙖𝙩 𝙞𝙨 đ™ĸ𝙚 𝙖đ™Ŗ𝙙 đ™Ŧ𝙝𝙖𝙩 𝙞𝙨 đ™Ŗ𝙤𝙩 đ™ĸ𝙚?
During this phase we will work with the stairs, 2 days in the studio, and three days in the performance place.
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đŸ¯- đ—Ŗ𝗲đ—ŋđ—ŗđ—ŧđ—ŋđ—ē𝗮đ—ģ𝗰𝗲- 𝟲 đ—ĸ𝗰𝘁đ—ŧđ—¯đ—˛đ—ŋ đ—ĩ.𝟭𝟴.đŸŦđŸŦ
The event is part of Scie festival V edition. More details will be communicated soon.

𝗙𝗲𝗲𝘀
All week: 300â‚Ŧ
Only morning training: 190â‚Ŧ
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đ—Ĩ𝗲𝗴đ—ļ𝘀𝘁đ—ŋ𝗮𝘁đ—ļđ—ŧđ—ģ
[email protected]

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