Ballet Amériques Company is Looking for Dancers
Audition date: October 12th, 2019
Read moreAudition date: October 12th, 2019
Read moreProgram dates: 4 Month: September 2 – December 22 || 5 Month: January 13 – May 23
Read moreAudition: 28 July 2019
Read moreAs dancers we are constantly judging ourselves: spending hours day after day in tight-fitting clothing in front of a mirror and scrutinising how we look. Dancers are expected to have slim and toned bodies. It is seen as particularly important for females to be of a slight stature for the ease of pas de deux and partnering work. But what is the impact?
Read moreThe life of a professional dancer is as much a psychological and emotional struggle as much as it is physical. We have all at one point or another experienced those ugly emotions we know we shouldn’t feel, but somehow, in some way, something in dance brings them out from the deepest and darkest places; “why did she get that part?” “How come he got that job?” “Why didn’t they hire me?” Understanding the Ego and how to utilise it best in day-to-day life can be mighty helpful in the ongoing development of a dancer’s career.
Read moreConflating ideas on sexuality and dance is an important, albeit conflicting, issue for any female/professional dancer nowadays; especially in today’s social and political climate and, amidst a profession spent glorifying and often essentialising the human body. As a female and as a dancer, the ever-present reality of displaying sexuality is a constant phenomenon, either in the direction or expectations of others, or the image we believe we are expected to portray.
Read moreWith audition season upon us, I am receiving more and more emails every single day from dancers looking to promote their talents and catch my eye. And trust me, many of you do, but unfortunately, not always through positive means. I would like to help you (and me) out. The following is a list of suggestions to make sure that someone like me does not roll his or her eyes at your careless mistakes, and immediately send your application to the Trash folder…
Read moreIn short, we need dance. We need dance to reach young people. Otherwise what will we be left with? Dance and the arts cannot be allowed to fade into the background. It is simply not in its nature; it needs the spotlight.
Read moreI am 36 years old and I have lived 34 of those years as a woman who identified as a lesbian. Those are very solid pillars in me which I have defended with strong emphasis. Then five years ago, I started to get in contact with a lot of Trans people in Barcelona who inspired me deeply. That was when I started questioning the pillars of my live. In some way it was like getting to understand the relation between pieces that weren’t yet connected. We could maybe say that being a woman and being a lesbian was a massive cover up under which I felt encouraged and secure. By then being Trans was an inaccessible idea to me, something difficult to understand.
Read moreWe’ve all been there, those times when you’ve finished an awesome dance contract; you’re enjoying the rest and looking forward to jumping right back into the next one. Except the next one is taking a bit longer to come along than you would like. With each negative audition outcome comes a reassuring voice in our head, ‘too tall’, ‘not the right build’, ‘they wanted more classical dancers’ etc.
Read moreIf anyone can attest to the throws of bureaucracy in Europe, it is she. Holding a New Zealand passport proved fruitful for Tessa’s arrival in Europe eight years ago, but has since been the bane of her artistic career as a contemporary dance theater artist. She has been through just about every legal scenario to stay in Brussels and pursue her art – only once escaping deportation by a mere 20 days.
Read moreBeing a foreign freelance artist is difficult in Europe. As a dance artist, I want to base myself in Brussels. More than Berlin and London, this is where I feel most accepted, most inspired, most intrigued, most challenged, most supported. And for what?–– For my art, my research and practice.
I have spent the last three months expending countless hours of energy trying to navigate the Belgian bureaucratic system…
Being (il)legal is a multi-part series where I look at the different lengths artists are willing to go in order to pursue their art. The main focus is on non-Europeans in Europe and why Europe is such a “mecca” for the Western (and sometimes Eastern) art world.
From stories about bouncing around from country to country or staying put and hiding from the authorities, this is Being (il)legal.
Audition dates: June 21st & July 2nd 2019
Read moreAll auditions are by invitation only and will be held during company class.
Read moreDancers of color strongly urged to apply.
Read moreDeadline to apply: Friday, May 17, 2019
Read moreAnother Summer of Dance – below are the most popular and interesting contemporary dance intensive of 2019. Some of them happening very soon or almost selling out. So, have a read and hurry up before it’s too late.
Read more