Jose Mateo Ballet Theatre is Looking for Dancers
Deadline for applications: August 4, 2025
Read MoreDeadline for applications: August 4, 2025
Read MoreDeadline for applications: July 31st 2025
Read MoreDeadline for applications: July 1, 2025
Read MoreSeptember 2025 – June 2026 / 4-month/6-month/Full-year options
Read MoreDeadline for applications: June 8, 2025
Read MorePrivate auditions from Tuesday April 8th to Tuesday May 6th 2025
Read MoreDeadline for applications: 5th May 2025
Read MoreDeadline for applications: July 1, 2025
Read MoreDeadline for applications: April 5, 2025
Read MoreAudition Date: March 16th, 2025 / Deadline for video submission – March 30, 2025
Read MoreAudition dates: March 2nd / March 11th & Tuesday April 8th 2025
Read MoreAudition Now- April 2025
Read MoreAudition dates: March 8th & March 23rd 2025
Read MoreDeadline for applications: 15 February 2025
Read MoreProgram date: September 2025 – June 2026
Read MoreDeadline for applications: July 15, 2025
Read MoreAvailable sessions: Session 2 – July 7-18 | Session 3 – July 21-August 1 2025
Read MoreAs dancers we are constantly judging ourselves: spending hours day after day in tight-fitting clothing in front of a mirror and scrutinising how we look. Dancers are expected to have slim and toned bodies. It is seen as particularly important for females to be of a slight stature for the ease of pas de deux and partnering work. But what is the impact?
Read MoreThe life of a professional dancer is as much a psychological and emotional struggle as much as it is physical. We have all at one point or another experienced those ugly emotions we know we shouldn’t feel, but somehow, in some way, something in dance brings them out from the deepest and darkest places; “why did she get that part?” “How come he got that job?” “Why didn’t they hire me?” Understanding the Ego and how to utilise it best in day-to-day life can be mighty helpful in the ongoing development of a dancer’s career.
Read MoreConflating ideas on sexuality and dance is an important, albeit conflicting, issue for any female/professional dancer nowadays; especially in today’s social and political climate and, amidst a profession spent glorifying and often essentialising the human body. As a female and as a dancer, the ever-present reality of displaying sexuality is a constant phenomenon, either in the direction or expectations of others, or the image we believe we are expected to portray.
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