International Physical Theatre Laboratory 2025 (IPTL 2025)

25th Edition | December 13-22, 2025 | Laubegg 1, 8413 Laubegg, Austria

The International Physical Theatre Laboratory returns for its 25th year, bringing together actors and directors, dancers and choreographers, circus artists and theatre makers for 9 days of intensive practice in physical theatre methodology.

IPTL has operated continuously since 2000, evolving from a small experiment into an established meeting point for international physical theatre practice. Alumni have gone on to create companies, develop new methodologies, and teach in conservatories worldwide.

The December session coincides with the IUGTE Conference, offering additional opportunities for exchange with theatre educators and researchers from multiple countries.

Program Overview
IPTL offers structured daily training in the Ostrenko method – a systematic approach combining Meyerhold’s Biomechanics, Michael Chekhov’s Psychological Gesture, and Stanislavsky’s Physical Action with contemporary improvisation and physical dramaturgy. Developed by Sergei and Gennadiy Ostrenko through four decades of international directing and teaching, this methodology focuses on unlocking performers’ expressive range through precise physical work.

The laboratory takes place in a historic castle outside Graz, providing focused working conditions away from daily distractions. Each day includes:
– Morning biomechanics and physical conditioning
– Afternoon improvisation and composition work
– Evening laboratory sessions for individual and group research
– Regular feedback sessions and showings

The Ostrenko approach treats physical theatre as a distinct discipline requiring specific training. Rather than adding movement to text-based theatre or theatricalizing dance, it develops a performer’s ability to think physically – creating dramatic action through the body itself.

This isn’t about learning choreography or fixed forms. The work focuses on principles that enable performers to generate original material and develop their own physical vocabulary. Daily practice builds cumulative understanding, with each session informing the next.

Past participants often describe the experience as challenging but essential – providing tools and perspectives that continue to influence their work years later.

Who Can Apply
The program is open to:
– Professional actors, performers and physical theatre artists
– Directors and choreographers working with physical methods
– Dance and circus artists interested in theatrical applications
– Advanced students from theatre and dance conservatories
– Movement researchers and practitioners

Previous participants have come from over 20 countries. Working language is English.

Location: Historic 13th-century Laubegg Castle near Graz, Austria
Accommodation: Single or double rooms on-site included.
Meals: Full board provided
Each participant covers the cost of accommodation and meals. Detailed information is available upon request or on our website.
Group size: Maximum of 20 participants

Selection is competitive and based on:
– Artistic background and current practice
– Motivation for participation
– Potential contribution to group dynamics

How to Apply
Required materials:
– CV / Resume
– Portfolio with work samples (video links or photos for performers)
– Statement of interest (maximum 500 words)

Full application guidelines and form available at:
www.nipai.org/programs/international-physical-theatre-lab

Questions:
[email protected]

Note: This is an intensive program requiring full daily participation. Participants should be in good physical condition and prepared for demanding physical work.

Application deadline: When capacity reached
Notification: Within 3 days of application
More Info & Submit applications via: www.nipai.org/programs/international-physical-theatre-lab

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