A Dancing Journey at Kibbutz Summer Intensive: A Life-Changing Experience for a Dancer

For those who are concerned about keeping on training and developing during the summer break, I would suggest joining Kibbutz Summer Intensive.  For the others who, like me, aren’t really into summer workshops and would rather go and refresh their minds in a beautiful corner of the world, I would still recommend it.  Eclectic and international, Kibbutz Summer Intensive takes place in Kibbutz Ga’aton, Israel. It is a very unique place, full of history, which I think would be worth visiting for every dancer and dance student. More than training, the Kibbutz Summer Intensive offers a special journey about dance.

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Why MIP® 2018 Will Play an Integral Role in Your Professional Dance Education

At MIP® there is no other motive than to grow. There is no contract, scholarship or award to win at the end of the program. Instead, it’s the experience and what’s learned from that experience that’s earned. Nowadays more programs have emerged attempting to emulate something similar, which proves the program’s originality and innovativeness, but MIP® continues to keep its ear to the ground and listen to needs and changes of our ever-evolving community.

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A Call to Sustain Freelance Performance Artists

If we want any sort of live performance art that values the work more than making money, that invites conversation without having to pay for it, there must be another way to allow us artists to live, to make, to collaborate, to attend performances, to fuel conversations, to create change. What we need is time. What we need is sustainability.

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Review: Investigation and engagement in Dalton Alexander’s solo debut, “#whitenoise – A Neologism”

This piece, #whitenoise – A Neologism, is about America’s current political state and our fixation on the news. News stories played from Dalton’s phone. Newscasters speaking of Donald Trump and North Korea played over the speakers. Even people in the crowd were talking about the presidency while Dalton painstakingly readied the stage.

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Review: Ritualistic Femininity and Judy Chicago’s “The Dinner Party” in Sasha Waltz’s new creation “Women”

From the start, it’s clear that Waltz aims to highlight distinctions amongst the all-female ensemble, particularly in their movement qualities. In the many moments of unison ensemble work each dancer submits their own distinctive translation of the choreography; conveying the idea “woman” with her own arms, hands, head, feet, gaze, and so on.

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Dancing Femmes / The Gracefool Ladies

Dancing Femmes is a series that wishes to explore the views of performing artists that happen to be born in a female body. Dancing Femmes focuses on how being female can affect your career.
Dancing Femmes portrays a spectrum of women´s experiences , from the newest to the veterans. Getting to know their work, their ideas, their aspirations, their struggles, their emotions… as a woman.

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Sublime Uncertainty and the Search for a Sweet Spot: Jen Rosenblit’s “Swivel Spot” at the Every Body Festival

May 18th-21st The Sophiensaele in Berlin hosted “The Every Body Festival” focused on dance artists whose work challenges the conventional notion of the dancing body and what it can be. Jen Rosenblit, an American choreographer based in New York and Berlin, was one of the artists invited to present work in the festival.
“What if there is no future, what if we swivel on the same spot, mistaking it for change?”

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How to organize a unique event: Behind the scenes of Ballet United Gala

I was strolling on facebook a couple of weeks ago when I saw Tom’s post promoting the event he was organizing: Ballet United Gala. The poster described it as a  «unique evening of ballet performed by young dancers» showcasing pieces from well-known choreographers such as Benjamin Millepied, but also some pas de deux from the classical repertoire. The performance would take place in Cadogan Hall, London, the 19th of July.

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