Click to learn more

Review: Ritualistic Femininity and Judy Chicago’s “The Dinner Party” in Sasha Waltz’s new creation “Women”

From the start, it’s clear that Waltz aims to highlight distinctions amongst the all-female ensemble, particularly in their movement qualities. In the many moments of unison ensemble work each dancer submits their own distinctive translation of the choreography; conveying the idea “woman” with her own arms, hands, head, feet, gaze, and so on.

Read more